Class of 83 review: The film shows the curriculum outside the police curriculum In the early minutes of class 83, the trainer shouts to the tired youth who are training for khaki at Nashik (Maharashtra) Police Training Center, 'The Mumbai Police of the Future ... You guys don't even play. Can. Fake policeman in the film. 'Today's Mumbai Police is being harassed in this way.

Artists - Bobby Deol, Anoop Soni, Joy Sengupta, Vishwajeet Pradhan, Prithvik Pratap, Sameer Paranjpe, Bhupendra Jadavat, Hitesh Bhojraj, Ninad Mahajani etc.

Director - Atul Sabharwal

Producer - Shah Rukh Khan, Gauri Khan, Gaurav Verma.

Distributor - Netflix

Star - 3 Star (***)

Ironically, when the case of Sushant Singh Rajput's death was taken away from the Mumbai Police and given to the CBI, the story of his hard workers is being released on Netflix. A lot has changed from 1983 to 2020. It is not easy for anyone to maintain their illustrious past.

In the early minutes of class 83, the trainer shouts to the tired youth who are training for khaki at Nashik (Maharashtra) Police Training Center, 'The Mumbai Police of the Future ... You guys don't even play. Can. Fake policeman in the film. 'Today's Mumbai Police is being harassed in this way. These days, when fingers are pointed at the Mumbai Police investigation, actor Sushant Singh Rajput's death has been described as a murder in a media trial, and the Supreme Court has handed over the case to the CBI, it will be interesting to see the class of 83. The challenge before the Mumbai Police of 1980 was to free the country's largest metropolis from the clutches of active mafias. Perhaps no other police of the country has faced such a big challenge in the history of independent India.

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Class Of 83 'Movie Review: The most' lazy 'students of Bobby Deol's class saved the film from being piled up, read the full review

The square of 83 looks at the police system from the inside. Where the police system looks like a coin, it has two aspects. A law (law). Second order. Police sometimes have to sacrifice law to maintain order. The reason is that if the order is maintained then the system runs properly and the actual study of this system is out of the police course. Where the nexus between white criminals and moneylenders is hollowing out the police system. How can the police handle it

Film Crime Journalist s. Hussain Zaidi's 2019 book is based on 'Class of 83: The Punisher of Mumbai'. The story is simple: Vijay Singh (Bobby Deol), a competent police officer, shook the eyes of Chief Minister Patkar (Anoop Soni) and was removed from Mumbai to become the dean of Nashik Training School in a posting. There, Dean selects the five most insecure boys of the batch and prepares them in such a way that they stay in police uniforms to wipe out the criminals of the underworld. Dean succeeds and his groomed policemen play a band of mafias like Kalsikar and Shetty who come to Patkar's refuge. Certainly, this story based on the facts of journalism blends Kalpana with the truth, but the film interestingly brings out the picture of police-mafia-power pulls, alliances, compulsions and conflicts in Mumbai. In the film, there is a mutual confrontation and arrogance of the police. Here is some interesting dialogue about crime and fighting it. Such as' Crime and crime are like unsolicited marriage ',' Where there is no gunpowder, you have to act like a termite ',' Capitalist economy will come, socialist will raise slogans' and finally Vijay Singh's long dialogue, 'Every body Possesses' an immune system. Government bodies, educational bodies, judicial bodies. These are strong forts. Their immune system is so strict that they cannot be moved from outside. They have to rot inside inside like a disease. '

Dozens of films have been made on the confrontation between the Mumbai Police and the underworld. Those who have made the police proud. The category of 83 is also a cinema of this category. Which tells the story of the bravery and diligence of Mumbai Police against criminals. His courage and labor freed Mumbai from the clutches of mafias who have become terrorists. There is also a page in the chapter on the sacrifices of these policemen, many of which had to undergo rigorous scrutiny by the department itself. Some were also punished. The section of 83 is also the story of such policemen.

In 2010, nearly a decade after the film Help Bobby Deol, who has been consistently losing in multi-starrer films, has come as the main face of the film. It is believed that he has descended from the fantasy-romantic world to the world of reality. In which the protagonist resembles the common man and gives equal place to fellow actors. Bobby plays Vijay Singh in the film very well. It is to be hoped that this role will open new avenues for them in the industry. Anoop Soni, Joy Sengupta, Vishwajeet Pradhan also played their roles effectively. Director Atul Sabharwal kept the balance and said a lot in just 98 minutes. He did not attend the filming class of 83. The biggest proof of this is that the film neither has the bars of that era in Mumbai nor does it have any beautiful female dancing items that spill jams, flying notes. Poppy

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